Friday 31 January 2014

The Monumental

The Monumental.


















Egyptian Identities:

Those living in Egypt today, might find it difficult in all (and as with speak even of He who is known or does go and by the name of Zahir Hawaas too), that most out there, just don't believe that Modern Egyptians in all, to be true descendants, and of the earlier Egyptians that is. This in many a way, very much has to do, and with speak even and of just whom Egyptians today in all, are, and as with regards to the Monumental structures in all perhaps (and such as the Sculptured Work of Art shown above), and as with it all even, truly matching them, Modern Egyptians that is. That Egyptians today, are simply believed to simply live in Egypt, but with no connection in many a way, and to the Monumental works seen in Egypt, and as with they even truly believed to fully embody in all, just what it does mean to be Egyptian actually.

In all, and as unknown to many a person, speak of Egyptians and as disconnected from the/their past in all, does speak even and of their not in many a way, resembling in all, the many a Monumental work, and to be seen in Egypt today too that is [and as with they even simply speaking of the Egyptian past actually].

In all, this does very much speak of the Diatribe in all, and as seen in Egypt today, and which does continue to question, whom is truly or fully Egyptian, and as with speak even of encrouching Influence, and from many an outside Culture too that is.

In many a way though, one does see in all, a manner of representing/presenting Egyptian History and Culture, and from the very perspective of what some do term the Delta Egyptian cultures that is, and as with they even believed said to truly speak of Egyptian History and the rise in many a way even, and of Egypt, and into Civilizational mode that is, when in reality, Egyptian Delta Cultures, do speak of the very fall and decline even, and of Egyptian Culture and Civilization in all that is [and as with this even speaking of Egyptian notions of Shame, and as with regards to the creating of Modern Egyptian Identities, and as said to connect to the Egyptian past that is] [Delta Egyptian cultures].

In all ways though, the very belief that, Egypt and as perceived from the perspective of its Delta cultures, does in all ways even speak of Egyptians today, and as very much disconnected and from their past in all, and as truly even not identifying with the Monumental works to be seen in Egypt, and as a result, Egyptians in all, and as with speak even of Egyptian blood and Consciousness, and as not Identifying in all again, and with each other, and from the very perspective even, and of Local Street cultures too that is.

In all ways though, a difficult problem to solve, and outside speak of Egyptians and as somewhat identifying truly even, and with Greek elements and as to be seen in Egypt that is [and as with speak even and of a lot of Egyptian Media today actually], but that at the very least even, and as with speak even of Local Egyptian Identities, Identity in Egypt, and as with regards to all, and as very much grounded in what some do term Bohemian cultures actually [Link] [and as with the Bohemian, the easiest way to acknowledge that one is in Egypt, and from a Monumental perspective that is].

In all perhaps, and as with speak even of Pop Music and Pop cultures, the very music of Def Leppard, and as very much Bohemian in all, helping Egyptians connect to their past in all again (and as acrimonious as it might be), and from a Pop culture format too, and as with speak even of truly attempting in all and to connect and to many a Monumental work to be seen in Egypt, and from a Pop format too that is [in all, whom are Egyptians today, when they do decide to have a naughty sexual relation with a stranger or friend perhaps, and from a Monumental perspective too that is] [that in all again, they are actually Def Leppard in many a way that is].