Amir Hamza.
There does exist a problem in all, and to be seen in Modern Egypt today. This problem in all again, does have to do and with just how Modern Egyptians in general, do actually define issues pertaining to Gender, Race, Age and Class too [and as with these issues even, having come to strongly define in all, Modern Egypt's regional differences that is]. In many a way too, one finds a historical connection to the Middle East (Saudi Arabia, Oman, Jordan and Israel), and as with regards to these issues, and as with the Middle East even, and as with speak of interferences too, coming to somewhat define Gender, Race, Age and Class, and in Egypt today that is.
In all ways even is to tell many an Egyptian today that, when they do think of Gender, Race, Age and Class, and in Egypt today too, and as with regards even and to the Middle East in all, then let them make this connection, and via Pakistan too (it in many a way truly even, a part of the Middle East actually), and as with this furtherly even, speaking of Amir Hamza in all, and as with the work of Amir Hamza, very much interpreted by Pakistanis (and with it in all, actually a Pakistani work, and as with this in all too what Indo-Persian actually does mean), and from the perspective of Ceremony, Rites & Ritual too, but from the Egyptian perspective, an interpretation based around Gender, Race, Age and Class, and as with telling many an Egyptian that, when they do interact with those in the Middle East, let it then be along the lines of Amir Hamza in all [and as with those in the Middle East too, somewhat prone to be violent by nature that is].
